Short film
and TV stardom thrust former Anchorageite James Morrison into the
spotlight.
by T. Massari
McPherson, April 25, 1996, for The Anchorage Press
From the ancient legends of Homer
to the modern day Rocky, the theme of the man who, after facing
enormous challenges and overcoming huge odds, returns home in
triumph, is common in fiction, daydreams and, occasionally,
actually happens in real life. James Morrison lived his own
version of the myth last weekend when he returned to Anchorage to
attend the local screening of PARKING, a short film he wrote and
directed.
"From the age of 9, I grew up here and this is where I think
of as home," he said emotionally to the overflow crowd at
the E Street Theater. "I wouldn't be who I am if it weren't
for the people here. It has always been a dream to come back home
with something I had done that I thought was substantial. I
wanted to show it to my friends. To say, 'I did this and I never
could have accomplished it without the sense of community I found
here.'"
The success of the 10-minute film -- it has been accepted by 11
of the most prestigious film festivals across the country and has
won several awards -- is impressive. However, coming on the heels
of SPACE: ABOVE AND BEYOND, the film is frosting on the cake.
Morrison plays Colonel Ty McQueen, a genetically engineered
warrior/worker 70 years in the future. Earth forces are fighting
an intergalactic war against an alien species determined to
annihilate all humans. As the intense and enigmatic leader of a
squadron of young marine pilots, Morrison as McQueen plays a
central role in most of the storylines.
"The original concept was that it was a story about three,
young, white, eye-candy rocket jocks," Morrison said.
"The network was after a formula they felt would appeal to
their demographic, which was this sort of MELROSE PLACE in space
thing. It's an entirely different creature now than it was when
it was conceived."
Initially only a secondary character, Morrison's role as McQueen
has grown dramatically during this evolution. "I recognized
his potential right away. The archetypal, enigmatic, mysterious
stranger has been a popular character in dramas through
time," Morrison said.
It did not take long for the show's creators, Glen Morgan and
James Wong, to agree with Morrison's assessment. As writers of
THE X-FILES for two seasons, Morgan and Wong, had gotten in the
habit of checking the Internet to gauge the reactions of the
audience and to get ideas for developing the show. They were
astounded by the amount of attention McQueen received. Responding
within weeks to viewer demands, they enlarged McQueen's role to
one of the leads. His became the voice that sets the stage and
introduces the action for the show each week.
"Sometimes fans will get in huge debates about plots or
basic premises on the Internet," Morrison said. "If the
argument is particularly vehement, Glen and Jim will present
their side of it in the show, usually through me discussing it
with the 58th (Squadron), but actually acting as their mouthpiece
to the fans. The show is turning out to be an interesting hybrid,
defining itself as the fans react to it. I never would have
anticipated this character would be as popular as he has
become."
With his interesting contrast of short, clipped, gray hair and
his tanned, unlined face, Morrison, who just turned 42, has the
eye catching good looks of the standard leading man. However,
like so many "instant" successes, he has spent more
than 20 years achieving the status.
"James is one of the hardest working actors I have ever
met," said Carol Carlson, the owner of Carlson's Company, a
local talent agency, and long-time friend of Morrison. "He
is someone who works very hard at his craft and has paid his
dues. He is immensely talented. I don't know if SPACE will be
renewed for another season, but even if it isn't, the popularity
James has as a result of it will continue to fuel his
career."
A strong work ethic, humility and a willingness to serve the
story are fundamental elements in Morrison's approach to acting.
Learning self-sufficiency is the core of what he teaches actors,
says Ken Parham, a local actor now living in Los Angeles and one
of Morrison's pupils. While other acting classes are filled with
fluff and throwaway "wonderful darling" compliments,
Morrison rarely praises his students, training them instead to
depend on self-evaluation. "He can be brutal," Parham
said, "but never more on us than he is on himself."
"I make the story the most important thing," Morrison
explained. "I don't make the story serve me. I serve the
story. To do your job the best, you are going to be as selfless
and as thorough as you can be. The task is more important than
your own ego."
One in a family of six children, Morrison remembers only rare
fishing trips with a father whose road construction job kept him
away from his family much of the time. He credits his Little
League coach Felix Martinez, for "everything I learned about
sportsmanship, discipline, self-respect and respect for
others." Their enduring affection was obvious at the
premiere of PARKING, as Martinez teased Morrison from the
audience and Morrison lovingly introduced him as one of the most
important people in his life.
A loner as a teenager, with disdain for authority, Morrison
discovered theater at West High and found like souls with a
similar bend for pretend. After graduating, he acted with Alaska
Community Theatre and Anchorage Community College before working
as an apprentice for the Alaska Rep. He moved Outside to work,
returning in the early '90s to appear in one of the Rep's final
productions. During the years since, life in California has
yielded enough parts in films, theater and television to keep him
in the business.
An intense, quiet man, Morrison does not make friends easily, but
once made, values them for a lifetime. When he has projects, they
are developed as ensemble collaborations shared with people he
knows and trusts. For example, all the actors in PARKING are
friends, the two lead characters for more than 10 years. Actress
Riad Galayini, who recently married Morrison, is the producer.
Even the logo for his Fireweed Films was designed by an old
theater buddy from Anchorage.
"This business tends to be a place where unhealthy egos
converge," he said. "The biggest lesson I have learned
in this television series is that a hard worker, someone who is
there to serve the higher purpose, the greater good, is rewarded
equally with the one who is only vain-glorious and self-serving.
That was the biggest lesson and the most disheartening thing
about it actually.
"At first, I didn't identify with the warrior in McQueen.
The worker, yes, but not the warrior. But, then I realized to be
an artist, you have to be a warrior. You have to fight through
the rejection. The battle to find proper validation, which
hopefully would come from within anyway, that battle is eternal
with the artist."
T. Massari McPherson, formerly arts editor for the Anchorage
Times and The Next Stage, is a free lance writer.